秘色瓷莲花英文简介

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　　秘色瓷莲花碗

　　五代通高13.5厘米碗高8.9厘米口径13.9厘米盏托高6.6厘米

　　1956年维修苏州虎丘云岩寺塔时，塔内出土一件受世人瞩目的珍品——越窑青瓷莲花碗，它是一件越窑青瓷中的代表作，称得上“秘色瓷”中的稀有作品，精美绝伦，出类拔萃。

　　莲花碗由碗和盏托两部分组成。碗为直口深腹，外壁饰浮雕莲花三组，盏托的形状如豆，上部为翻口盘，刻划双钩仰莲两组，下部为向外撇的圈足，饰浮雕覆莲二组。该碗共由七组各种形态的莲花组成。瓷胎呈灰白色，胎质细腻致密，颗粒均匀纯净，托心平整，正中镂有一小圆孔直通器底，孔边刻“项记”窑工（作者）二字，施青釉，釉层厚且通体一致，光洁如玉，如宁静的湖水一般，清澈碧绿，正如唐陆龟蒙《秘色瓷器诗》中描绘的“九秋风露越窑开，夺目千峰翠色来”，和陈万里先生形容的“一泓清漪的春水”般的湖绿色，器形敦厚端庄，比例适度，线条流畅，丰腴华美，通体恰似一朵盛开的莲花，构思巧妙，浑然天成。

　　秘色瓷始烧于唐、五代和北宋初期，五代时吴越王钱氏建国，在浙江上林湖置官监窑烧制青瓷，被列为宫廷供品，庶臣不能使用。

　　荷花即莲花，自古以来被人们不厌其烦吟咏的题材，它那出淤泥而不染的君子美德赋予人格意义。荷花有着良好的生长环境和独特的娇艳娉婷的姿态，而更有清幽、恬适的微妙诗意境界，被文人逸士借景移情寄托多种情感和思绪。汉魏时期随着佛教的传入，莲花就被融入一种神秘的宗教色彩，象征着极乐净土和再生的生命意义，成为佛教艺术的主要题材之一，被广泛用在净土环境、佛座、雕刻、绘画之中，由此可见该莲花碗的设计者项氏不仅是一位匠心独具的造型艺术家，而且是一位虔诚的佛教信徒，所以说这件越窑青瓷莲花碗是一件境界极高的精神产品，佛法与艺术是如此完美地统一在这件举世无双的千古不朽之作中。

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